Multibeat Music in Toronto, Ontario, Canada provides music and audio services:  Custom Music Composition, Audio Mastering for CD and Vinyl, Music Production and Engineering on a project basis, leading-edge Sound Editing and Sound Design for giant screen, IMAX, features, documentaries, Music and Sound Design for the internet and iPhone, Voiceovers and Narration, Music Editing and a whole host of Audio Postproduction and Music Services.NewsCurrent ProjectsProject ArchiveAwardsMusic MasteringAudio Postproduction & Sound EditingVoice TalentCreative Music ServicesAdditional ServicesAudio TherapyThe StudioShow ReelResumeRatesContactLinksEmail

THE STUDIO

Multibeat Music - The Studio: A Sound Lab on the Outer Rim

The operating studio has found many different configurations, with 27 locations over the past 22 years, including Québec, Austria and Scotland. Yes, this is slash'n'dash guerrilla tactics! The studio is currently in the Junction area of Toronto, Ontario. A soundproof place to record, and very close to the city centre by transit.

The focus is on techniques and knowledge, rather than boutique gear. In this way, I can offer reasonable prices for immaculate work. I strive to keep the equipment list as short and efficient as possible - computers have allowed for a ridiculous divestment of studio gear without compromising on the end product. Of the hardware gear, the Ramsa mixing desk and a few other items still remain.

The work gets done in a modest basement-level space with configurable control room / recording room. I can accommodate a maximum of 3-4 musicians comfortably, ie. a string quartet at maximum. The centerpiece, a custom Da-Lite perf screen, 88" x 68", with Sony Bravia projector allows for control-room-recording to picture and five/six-channel mixing. (It would be recommended to take stem mixes from Multibeat to a Dolby-approved room for final balances and/or check screenings.)

 The Osler Studio - sound editing on Flight of the Butterflies.

 

Record, Mix

An Apple MacPro 8-Core, runs OSX 10.6, Pro Tools 9 (soon 10) with CPTK as well as Apple Logic Pro 9. Audio interfaces include Digidesign MBox2 Pro, MOTU 896, Echo Audio Gina 24. A secondary Macbook Pro is the workhorse of the 10.5-based sampling universe with Kontakt, Maschine, etc. A frightening number of excellent sound sources are now issuing from the iPad2 with Alesis dock balanced outputs. An old Mac G4 works as a doorstop but is kept for certain emergencies.

A Ramsa WR-T820 analog console with full meter bridge is used for additional analog mixing, treatments, monitoring and bussing. A TL Audio tube EQ-1 is used for warming the digital path. Alesis and Lexicon outboard effects are rarely used. Waves Platinum is the core 3rd party plug-in platform.

A Vestax PMC-50A professional DJ mixer is used for various monitoring and line signals.

Mix is assisted with Avid/Euphonix MC Transport and 16 channels of MC Mix. Frontier Designs Alphatrack is used for reference busses and 17th channel. Novation ReMOTE ZeRO is used for EQ tweaks. A Peavey PC-1600 and Novation Nocturn can also be used for MIDI/DJ-control. A guitar with hex-to-MIDI input for MIDI recording is on hand..

Main monitoring is Mackie HR824s, SOTAs, Yamaha MSP5s.

 

Sound Modules

I'm a huge fan of Kontakt, Reaktor, Maschine, Absynth, Massive and Battery to start with. Also Tone2, Arturia, Logic's Sculpture, Sunrizer (iPad), Traktor to name a few more. The available sampler/sound library is vast and of high quality. I'm continuing to port Akai, E-Mu, Kurzweil, Casio sounds over to Kontakt with the help of the dubious sampler tools from Chicken Systems.

The secondary sound sources are: Yamaha P60S stage piano, Roland SH-32 compact synthesizer and the almighty full-size Haken Continuum.

 

Processing

While most digital processing is effected by Waves, DigiRack and native Logic plug-ins, there are also some analog-domain devices: Joe Meek VC6Q British Channel, Ashly CL52 compressor, (2x) Yamaha digital parametric equalizers, Line6 Floor Pod, Digitech Vocal 300, DOD Death Metal pedal, Boss OD-2 Turbo Overdrive pedal. In our digital age, the balanced patch bay can be irritating, but alas, all the possibilities are there for patching.

 

Microphones

The mic cabinet is sufficient to do off-site recording including coverage of a full acoustic drum kit. Microphones include: Sennheiser e902, e905, (2x) e614, AudioTechnica AT-4033CL, AKG C3000, AKG D19 (rare), various plug-in power and lav mics, Shure SM58 (2x). Lots of stands and clips.

 

Instruments

There is a range of acoustic and electric instruments that can be used for acoustic recording (guitars, percussion) and more can be rented from nearby Long & McQuade. If there is a budget, we can hire musicians for recording sessions on their own instruments.

 

Bric-a-brac

Some of the other things on hand: Thorens TD280 hi-fi turntable, Tascam DA-30mk2 DAT recorder, Yamaha cassette recorder, SCSI-1, -2, and -3 access, OS9 compatibility/apps, loads of different speakers/monitors for checking mixes.

 The Osler Studio in a previous unruly state.

 

 

 

Multibeat Music is a registered Ontario business.

Photography: Omar Mosleh, Ivonka Frankova, Carol Bell.
Web site design & content: © 2012 Multibeat.